#19 Value analysis and graphic design

Value analysis identifies and selects the best alternatives for designs, materials, processes, and systems. You repeatedly ask “can the cost of this item or step be reduced or eliminated, without diminishing the effectiveness, required quality, or customer satisfaction?” In other words, value analysis is a method of optimization. It requires creativity. It consists of 5…

#15 Working remotely

Illustrators, photographers, and web designers have an easier time working remotely (globally) via the Internet. There is resistance to long-distance with graphic design projects (print, booths, etc). There is no explanation other than for some reason clients want to sit face-to-face with a graphic designer at least once. (This can be done with Skype but…

#14 Working on retainer

I worked as a designer on retainer for 14 years. I got a monthly check and worked unsupervised at home – except for a once-a-week, face-to-face, hour-long meeting. Meeting the goals and deadlines was the measurement, not the number of hours worked. This probably means I worked pretty hard for them! Every year we’d plan…

#13 Proportional color palettes

I‘ve been theming for a long time (orchestrating color combinations, type selection, symbols, etc) but I learned something new about “proportioned palettes”. A new perspective on color. The author of Handout (PDF) demonstrates his method for developing a consistent and large color palette for branding. Great stuff. I can also vouch his basis of predicting…

#12 Theming with typography for historical and vintage projects.

Theming with type and color are several of the things I really enjoy about design. Here I share my method for historical and vintage projects. Logo sample from someone else – not mine. The font above is a knockoff of type foundry P22Eaglefeather – available in several weights and a dingbat font. It is based…

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